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The only solution: Put George in blackface and dress him up as a stereotypical young black man of the mid-'70s, dancing to funk and soul music with a boombox.
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But to help, he’s got to get George back on the train without anyone identifying him. Once there, he discovers a prisoner in the backseat, Grover Muldoon (Richard Pryor), who's more than happy to help out George if it means he’ll be free too. At one point, he winds up in a small-town police station and has to escape the clutches of a goofy cop, taking a police car for himself. George Caldwell (Gene Wilder) is the wrong man at the wrong time, but he refuses to give up, even after being kicked off the train mid-trip.
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Most of the comedy-thriller Silver Streak is an enjoyable movie in the vein of Alfred Hitchcock: An innocent man taking a cross-country train trip for business is presumed to be a killer, and has to fight to clear his name before the train arrives in Chicago. (When the chief bad guy points out that one bandit listed “rape” twice in his, uh, qualifications, the bandit replies blithely, “I like rape.”) As frequently savvy as the script (credited in part to Richard Pryor) is, none other than Brooks himself has acknowledged that the film could never be made today to Variety: “We have become stupidly politically correct, which is the death of comedy.” Whether that latter point is true, he’s right about one thing: There’s no way this movie would exist now. Blazing Saddles is well-known for an iconic but gross sequence in which a group of cowboys sit around the campfire and let a bunch of farts rip, but it’s also got scenes where bandits are hired based on how terrible their crimes have been. If there’s any doubt this film couldn't be made today, the opening scene after the credits, in which the n-word is thrown around with heedless abandon, should confirm it. In the mid-'70s, Mel Brooks shook up the state of Hollywood comedies with Blazing Saddles, a wild parody of the Western genre.